One of his early notable roles was as the androgynous court jester Gong-gil who becomes the object of obsession of the tyrant King Yeonsan in Yi, which would later be adapted into the hit film King and the Clown. Highly acclaimed for his portrayal of Gong-gil, Oh was awarded Best New Actor by the National Theater Association of Korea for the play's first run in , and he reprised the role four more times in , , , and Hedwig and the Angry Inch[ edit ] But Oh became a bonafide musical theatre superstar in , when he was cast as the titular East German transgender singer in the first Korean staging of the rock musical Hedwig and the Angry Inch. When John Cameron Mitchell , who wrote, directed and played the original Hedwig in the musical and the film , went to Korea in to hold a concert, Oh was one of his guest performers, along with other Korean Hedwig actors. Oh was also able to talk to Mitchell one-on-one, without an interpreter, for one and a half hours.
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Baeksang Arts Awards
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Korean , Imported Total admissions: Showing themselves in Seoul would surely result in their capture and arbitrary prosecution on some trumped-up charge, so they split up and go into hiding, with Hyun-woo being put up in a remote cabin by a woman named Yoon-hee. Yoon-hee is more than hospitable, and very soon the two are sharing a bed and falling in love. But in this dark era in Korea's history, politics and the state not only limit their freedoms, but ultimately push into their private lives as well. An unusual mix of politics and melodrama that ranges from up until the present day, The Old Garden represents a collaboration between two generations of anti-authoritarian artists: Im's adaptation of Hwang's novel of the same name boasts some very strong casting, with Ji Jin-hee maintaining a nice air of unpredictability around the character of Hyun-woo, and Yeom Jung-ah being given the best opportunity to showcase her acting abilities since A Tale of Two Sisters.